누가 베티 데이비스와 결혼 했습니까?

루스 엘리자베스 "베티" 데이비스(영어: Ruth Elizabeth "Bette" Davis, 1908년 4월 5일~1989년 10월 6일)는 미국의 배우이다. 매사추세츠주에서 출생하여 연극학교를 거쳐 무대에 섰다. 1929년에 《깨진 접시》로 처음 브로드웨이 무대에 올랐다. 다음 해에는 그의 첫 소속사인 유니버설 스튜디오에서 '섹스어필이 슬림 서머빌 정도밖에 안 된다'는 이유로 떨려났고, 1931년부터 영화와 무대에서 주연 배우가 되었으며 30년대 내내 워너브라더스에서 건방지고 예쁘고 유행에 민감한 도시 아가씨 역할로 활동을 이어갔다.

점차 특징 있는 눈과 날씬한 몸으로 다감하고 지성적인 연기를 하여 인정을 받았다. 1936년 그는 7년간의 워너 생활을 청산하는 과정에서 소송에 휘말리게 되었다. 당시에는 모든 스튜디오가 독점적인 7년 계약으로 배우들을 묶어 둠으로써 졸속 제작, 낮은 보수문제를 항상 안고 있었다. 결과적으로 그는 재판에서는 졌지만 많은 대중에게 자신의 강한(영화에서 처럼) 이미지를 각인시키는 계기가 되었다. 1930년대와 40년대 사이에 그는 여성 관객들로부터 엄청난 대중적 인기를 구가하였다. 그는 스타로서의 황홀한 매력과 남성들이 지배하는 이 세상에서 살아남기 위해서 홀로 맞서는 평범한 여성상을 동시에 표출해 냈다.

《청춘의 항의 (dangerous)》(1935), 《제저벨》(1938)로 아카데미상, 《소문난 여자 (marked woman)》(1937)로 베네치아 영화제, 《이브의 모든 것》(1950)으로 칸 영화제에서 각기 주연상을 받았다. 그는 영화 장르의 공연 면에서 좋은 평가를 받았으며 특히 로맨스 영화의 역할에서 가장 큰 성공을 거두었다.

워너 브라더스의 간판 스타였고 아카데미상 최다 연속 후보 지명 기록 공동보유자이며 무려 11번이나 아카데미 여우주연상에 지명되었던 연기파 배우였다. 영화나 현실에서도 담배를 좋아하는 골초이기도 했다. 흡연으로 인한 피해로 1983년 유방암 수술을 받은 뒤에도 영화, TV시리즈에 출연하는 열정을 보였다. 하지만 결국 유방암으로 인한 합병증 때문에 1989년 마지막 영화 ‘사악한 계모’를 찍고 1989년 10월 6일에 숨을 거졌다.

1999년에 미국 영화 연구소(AFI)는 베티를 "현시대의 가장 위대한 여성 스타" 25위 중에서 2위로 선정하였다. 미국 영화 ·연극의 총본산적 존재이다. 그는 특히 1981년 킴 칸스(Kim Carnes)가 불러 그래미상까지 받은 노래 "Bette Davis Eyes"의 주인공으로도 유명하다.

Ruth Elizabeth "Bette" Davis (; April 5, 1908 – October 6, 1989) was an American actress of film, television, and theater. Regarded as one of the greatest actresses in Hollywood history, she was noted for her willingness to play unsympathetic, sardonic characters and was known for her performances in a range of film genres, from contemporary crime melodramas to historical and period films and occasional comedies, although her greatest successes were her roles in romantic dramas. She won the Academy Award for Best Actress twice, was the first person to accrue ten Academy Award nominations (and one write-in) for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. In 1999, Davis was placed second on the American Film Institute's list of the greatest female stars of classic Hollywood cinema, behind Katharine Hepburn.

After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and had her critical breakthrough playing a vulgar waitress in Of Human Bondage (1934). Contentiously, she was not among the three nominees for the Academy Award for Best Actress that year, and she won it the following year for her performance in Dangerous (1935). In 1936, due to poor film offers, she attempted to free herself from her contract, and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies. She was praised for her role in Marked Woman (1937) and won a second Academy Award for her portrayal of a strong-willed 1850s Southern belle in Jezebel (1938), the first of five consecutive years in which she received a Best Actress nomination; the others for Dark Victory (1939), The Letter (1940), The Little Foxes (1941), and Now, Voyager (1942).

A period of decline in the late 1940s was redeemed with her role as a fading Broadway star in All About Eve (1950), which has often been cited as her best performance. She received Best Actress nominations for this film and for The Star (1952), but her career struggled over the rest of the decade. Her last nomination came for her role as the psychotic former child star Jane Hudson in the psychological horror film What Ever Happened to Baby Jane? (1962). In the latter stage of her career, Davis played character parts in films like Death on the Nile (1978) and shifted her focus to roles in television. She led the miniseries The Dark Secret of Harvest Home (1978), won an Emmy Award for Strangers: The Story of a Mother and Daughter (1979), and was nominated for her performances in White Mama (1980) and Little Gloria... Happy at Last (1982). Her last complete cinematic part was in the drama The Whales of August (1987).

Davis was known for her forceful and intense style of acting and her physical transformations. She gained a reputation as a perfectionist who could be highly combative, and confrontations with studio executives, film directors, and co-stars were often reported. Her forthright manner, clipped vocal style, and ubiquitous cigarette contributed to a public persona which has often been imitated. Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit.